Next fall, the Art Gallery of Ontario (AGO) and the Canadian Photography Institute (CPI) of the National Gallery of Canada (NGC) will co-present Anthropocene, a major new contemporary art exhibition that tells the story of human impact on the Earth through film, photography, and new experiential technologies. Co-produced with MAST Foundation, Bologna, Italy, the exhibition is a component of the multi-disciplinary Anthropocene Project from the collective of photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier. Organized by the artists in partnership with the three organizations, Anthropocene will run at the AGO and NGC simultaneously from September 2018 through early 2019.
The Anthropocene Project is based on the research of an international group of scientists making a case to formally change the name of the present geological epoch from Holocene to Anthropocene – the “Human Epoch”. This name change—a controversial idea currently under vigorous and passionate international debate—would represent a formal recognition and acknowledgement of what Burtynsky, Baichwal and de Pencier call the “human signature” on the planet. This scientific research has greatly influenced Burtynsky, who has been investigating human-altered landscapes in his artistic practice for 35 years, and directly relates to themes explored in the ongoing film and video work of Baichwal and de Pencier. The exhibition adds to the first retrospective of Burtynsky’s works titled Manufactured Landscapes (2003), organized by the NGC, as well as the three artists’ trilogy of films—Manufactured Landscapes (2006), Watermark (2013), and Anthropocene (expected 2018)—as a major vehicle to raise awareness of these important issues in sharp, visually compelling detail. Visitors will come away with a lasting sense not only of humanity’s collective impact on the planet, but also their individual impact.
“Climate change is a global phenomenon that cannot be ignored. By bringing together contemporary art with environmental science and anthropology, our two museums will lead a global conversation with a uniquely Canadian perspective about matters that impact us all,” said Stephan Jost, the AGO’s Michael and Sonja Koerner Director and CEO.
“Edward Burtynsky, Jennifer Baichwal, and Nicholas de Pencier are Canadian artists who are at the very forefront of their fields,” added Marc Mayer, Director and CEO of the National Gallery of Canada. “This exhibition will demonstrate the power of art to engage us aesthetically and intellectually on issues of pressing concern.”
Co-curated by AGO Curator of Photography Sophie Hackett, CPI Associate Curator Andrea Kunard and MAST Curator Urs Stahel, Anthropocene will include several distinct elements created especially for the museum installations. The exhibition will feature new Burtynsky photographs illustrating themes such as resource extraction and climate change. In addition, high-resolution murals captured using cutting-edge photographic technologies will provide striking viewing experiences. Measuring approximately 25’ wide by 12’ tall, these murals will deliver a visceral sense of scale, and allow viewers to examine—in exquisite detail—the intricacies of human incursions on the Earth.
The exhibition also includes a number of powerful high-resolution video installations that document the progression of human influence according to research categories of the Anthropocene Working Group scientists, including terraforming, extinction, anthroturbation (human tunnelling) and technofossils (human created materials, such as cement and aluminium). Through innovative augmented reality features, visitors will also be able to experience places and practices we are all connected to or responsible for but do not normally see.
“Our ambition is for the work to be revelatory, not accusatory, as we examine human influence on the earth both in planetary scale and geological time. Humans now change the earth’s system more than all natural forces combined, and we want to bear witness in an experiential way to these lasting impacts. The shifting of consciousness is the beginning of change,” the artists emphasized.
The simultaneous installations at the AGO and NGC are a rich pair of distinct experiences with certain key works appearing in both venues. Further details, including dates and subsequent venues, will be forthcoming. Follow #AnthropoceneProject for updates.
Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada and co-produced with the MAST Foundation, Bologna, Italy.
ABOUT THE ARTISTS
Edward Burtynsky is known as one of the world’s most respected photographers. His remarkable photographic depictions of global industrial landscapes are included in the collections of over 60 major museums around the world, including the National Gallery of Canada, the Museum of Modern Art, the Guggenheim Museum in New York, the Reina Sofia Museum in Madrid and the Los Angeles County Museum of Art in California. His imagery explores human systems imposed on the land.
Burtynsky’s distinctions include the TED Prize, The Outreach Award at the Rencontres d’Arles, the Roloff Beny Book Award and the Rogers Best Canadian Film Award. He sits on the board of directors for the Scotiabank CONTACT Photography Festival and The Ryerson Gallery and Research Center and is the Co-Founder of the Scotiabank Photography Award. In 2006 he was awarded the title of Officer of the Order of Canada and in 2016 he received the Governor General’s Award in Visual and Media Arts. Burtynsky currently holds seven honorary doctoral degrees. The National Gallery of Canada organized and toured the first retrospective of Burtynsky’s work, Manufactured Landscapes, in 2003.