Berenice Abbott
It Was All a Dream
Artists viewing the real world through an abstract lens.
With work by: Berenice Abbott, Nadav Kander, Jungjin Lee, Saul Leiter, Ray K. Metzker, and Bruno V. Roels.
Nadav Kander
Horizons I, (Coalhouse Fort towards St Mary Hoo), England, from the series, "Dark Line - The Thames Estuary", 2015
Archival pigment print
70 7/8 x 31 7/8 inches
Saul Leiter
Haircut, 1956
Chromogenic print; printed later
20 x 16 inches
Saul Leiter
Snow Scene, 1960
Chromogenic print; printed later
20 x 16 inches
Saul Leiter
Seascape, c.1990
Gouache, casein and watercolor on paper
20 x 15 7/8 inches
Saul Leiter
Untitled, date unknown
Gouache, casein and watercolor on paper
10 x 5 3/4 inches
Saul Leiter
Untitled, date unknown
Gouache, casein and watercolor on paper
10 x 5 3/4 inches
Berenice Abbott
Untitled, c.1958
Gelatin silver print; printed c.1958
9 5/8 x 7 3/4 inches
Berenice Abbott
Golf Balls Released Simultaneously, 1958-61
Gelatin silver print; printed c.1958-61
6 1/4 x 5 5/8 inches
Berenice Abbott
Untitled, 1958-61
Gelatin silver print; printed c.1958-61
5 3/8 x 7 1/4 inches
Berenice Abbott
The Pendulum, 1958-61
Gelatin silver print; printed c.1958-61
9 1/8 x 2 1/8 inches
Berenice Abbott
Multiple exposure of a swinging ball, 1958-61
Gelatin silver print; printed c.1958-61
5 1/4 x 9 5/8 inches
Ray K. Metzker
63 BT-40, Early Philadelphia, 1963
Gelatin silver print; printed 2009
8 x 10 inches
Ray K. Metzker
64 CT-17, Philadelphia, 1964
Gelatin silver print; printed 1992
10 x 8 inches
Ray K. Metzker
63 DA-19, Philadelphia, 1963
Gelatin silver print; printed 1963
6 x 8 7/8 inches
Ray K. Metzker
58 AC-28, Chicago, 1958
Gelatin silver print; printed 1984
8 x 10 inches
Ray K. Metzker
62 CZ-13, Philadelphia, 1962
Gelatin silver print; printed 1962
6 x 8 3/4 inches
Ray K. Metzker
57 JN-16, Chicago, 1957
Gelatin silver print; printed 1957
6 3/8 x 8 7/8 inches
Ray K. Metzker
63 HC-30, Philadelphia, 1963
Gelatin silver print; printed 1963
6 x 8 7/8 inches
Ray K. Metzker
63 HG-22, Philadelphia, 1963
Gelatin silver print; printed 1963
6 1/8 x 8 3/4 inches
Ray K. Metzker
64 DW-39, Philadelphia, 1964
Gelatin silver print; printed 1964
5 7/8 x 8 3/4 inches
Ray K. Metzker
61 DZ-21, Frankfurt, 1961
Gelatin silver print; printed 1985
8 x 10 inches
Ray K. Metzker
63 DO-13, Philadelphia, 1963
Gelatin silver print; printed 1989
8 x 10 inches
Ray K. Metzker
63 EI-29, Philadelphia, 1963
Gelatin silver print; printed 1963
6 x 8 7/8 inches
Ray K. Metzker
63 EI-24, Philadelphia, 1963
Gelatin silver print; printed 1963
6 x 8 7/8 inches
Ray K. Metzker
60 NA-3, Europe, 1960
Gelatin silver print; printed 1960
5 1/4 x 8 inches
Ray K. Metzker
60 NA-1, Europe, 1960
Gelatin silver print; printed 1960
6 3/4 x 9 5/8 inches
Bruno V. Roels
Yucca as Sumerian Script, 2018
Composition of nine overprinted gelatin silver prints
Image size: 15 1/2 x 11 inches each
Mount size: 59 x 39 1/4 inches
Bruno V. Roels
Explosions Over Calm Seas, 2019
Composition of three gelatin silver prints with ink
19 5/8 x 15 5/8 inches
Bruno V. Roels
A Guide To Cherry Blossoms (Three Scarlet Dots), 2019
Overprinted gelatin silver paper with ink
18 x 14 1/8 inches
Bruno V. Roels
Noli Dots, 2018
Overprinted gelatin silver paper with black India ink
15 5/8 x 19 5/8 inches
Bruno V. Roels
The Owls Are Not What They Seem, 2017
Composition of nine gelatin silver prints
15 5/8 x 11 3/4 inches
Bruno V. Roels
Fake Billboards #5, 2018
Gelatin silver print with ink
15 5/8 x 19 5/8 inches
Bruno V. Roels
Fake Billboards #17, 2018
Gelatin silver print with black India ink
19 5/8 x 15 5/8 inches
Jungjin Lee
Opening #04, 2016
Archival pigment print on Korean Mulberry Paper; printed 2017
50 1/8 x 24 7/8 inches
Jungjin Lee
Opening #15, 2016
Archival pigment print on Korean Mulberry Paper; printed 2017
57 3/8 x 30 1/4 inches
Jungjin Lee
Ocean 04-03, 2004
Gelatin silver print on hand coated Korean Mulberry Paper; printed c.2004
30 1/8 x 56 3/4 inches
It Was All a Dream
Artists viewing the real world through an abstract lens.
With work by: Berenice Abbott, Nadav Kander, Jungjin Lee, Saul Leiter, Ray K. Metzker, and Bruno V. Roels.
