
Oil Bunkering #2, Niger Delta, Nigeria, 2016
Edward Burtynsky (b. 1955) was born in St. Catharines, Ontario. He received his Bachelor of Applied Arts in Photography and Media Studies from Ryerson University in 1982. Early exposure to the sites and images of the General Motors plant in his hometown helped to formulate his photographic work. Burtynsky’s imagery explores the collective impact we as a species are having on the planet. He has turned his lens on the terrible beauty of industrial interventions in nature such as mining, quarrying, manufacturing, shipping, the production of oil, and recycling. In addition, he has made two award-winning films with director Jennifer Baichwal, Manufactured Landscapes (2006) and Watermark (2013).
In 1985, Burtynsky founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging and new media computer-training center catering to all levels of Toronto's art’s community. Burtynsky also serves on the Board of Directors for CONTACT, Toronto’s international photography festival, as well as the Ryerson Gallery and Research Center. As an active lecturer on photographic art, Burtynsky's speaking engagements have been held at the National Gallery of Canada, Ottawa, the Library of Congress in Washington, D.C., George Eastman House in Rochester, NY, the Canadian Center for Architecture in Montreal, the Art Gallery of Ontario, TED’s Idea City, and Ryerson University in Toronto.
His exhibitions have toured internationally, including Water (2013) at the New Orleans Museum of Art & Contemporary Art Center, New Orleans, Louisiana, Oil (2009) at the Corcoran Gallery of Art in Washington D.C., Manufactured Landscapes (2003) at the National Gallery of Canada, Before the Flood (2003), and China (2005). Burtynsky's visually compelling works are currently being exhibited in solo and group exhibitions across Canada, in the United States, Europe and Asia.
Burtynsky is the recipient of the ICP Infinity Award for Art (2008), the Rogers Best Documentary Film Award (2006), the inaugural TED Prize (2005), the Dialogue of Humanity Award at Rencontres d’Arles (2004), and the Roloff Beny Book Award (2003). In 2006, he was awarded the title of Officer of the Order of Canada, and holds six honorary doctorate degrees. Burtynsky was recently commissioned to create an immense permanent installation of photographs at the National Holocaust Monument of Canada, which is set to open by 2016.
Thjorsa River #1, Iceland, 2012
Chromogenic colour print
39 x 52 inches
Carrara Marble Quarries, Cava di Canalgrande #2, Carrara, Italy, 2016
Pigment inkjet print on Kodak Professional photo paper
48 x 96 inches
Carrara Marble Quarries, Cava di Canalgrandre #1, Carrara, Italy, 2016
Pigment inkjet print on Kodak Professional photo paper
39 x 52 inches
Xiaolangdi Dam #2, Yellow River, Henan Province, China, 2011
Chromogenic colour print
39 x 52 inches
Phosphor Tailings Pond #4, Near Lakeland, Florida, 2012
Pigment inkjet print on Kodak Professional photo paper
48 x 64 inches
Log Booms #1, Vancouver Island, British Colombia, Canada, 2016
Pigment inkjet print on Kodak Professional photo paper
48 x 64 inches
Railcuts #13, C.N. Track, Thompson River, British Columbia, Canada, 1985
Chromogenic Colour print on Kodak Endura Premier Paper; printed 2015
60 x 48 inches
Salt Pan #5, Little Rann of Kutch, Gujarat, India, 2016
Chromogenic Colour print on Kodak Endura Premier paper; printed 2016
39 x 52 inches
Salt Pan #29, Little Rann of Kutch, Gujarat, India, 2016
Chromogenic Colour print on Kodak Endura Premier paper; printed 2016
48 x 64 inches
Shipbreaking #32, Chittagong, Bangladesh, 2001
Chromogenic Colour print on Kodak Endura Premier paper; printed 2016
27 x 34 inches
Old Factories #6, Shenyang Heavy Machinery Group, Tiexi District, Shenyang City, Liaoning Province, China 2005
Chromogenic Colour print on Kodak Endura paper; printed 2006
27 x 34 inches
Rock of Ages #62, Rutland, Vermont, USA, 1991
Chromogenic Colour print on Kodak Endura Premier paper; printed 2016
39 x 49 inches
Car Terminal, Ritthem, Zeeland, The Netherlands, 2011
Chromogenic Colour print on Kodak Endura Premier paper; printed 2016
39 x 52 inches
Oil Bunkering #1, Niger Delta, Nigeria, 2016
Chromogenic Colour print
39 x 52 inches
Oil Bunkering #2, Niger Delta, Nigeria, 2016
Chromogenic Colour print
39 x 52 inches
Salt Pan #10, Little Rann of Kutch, Gujarat, India, 2016
Chromogenic Colour print
48 x 64 inches
A major new contemporary art exhibition that tells the story of human impact on the Earth through film, photography, and new experiential technologies.
Edward Burtynsky’s quest to photograph a changing planet.
A review of Essentials Elements 1981-2012 and Pan Salts 2016.
William Meyers' On Photography reviews the concurrent shows at HGG and Bryce Wolkowitz galleries.
Secret Histories | Photographer Edward Burtynsky Reveals the “Essential Elements” Destroying Earth.
A roundup of recent HGG related press items.
A roundup of recent HGG related press items.
Salt Pans, Howard Greenberg Gallery: Nov 3 - Dec 31
Edward Burtynsky and Robert Polidori’s Shared Visions
On display through Sunday, Sept. 18.
Edward Burtynsky Shows Us the Impending Enviro Apocalypse in High Definition
http://www.marketwired.com/press-release/scotiabank-contact-photography-festival-announces-the-new-annual-burtynsky-grant-2103325.htmOn March 7 Edward Burtynsky was announced as a recipient of the award from the Canada Council for the Arts.
Edward Burtynsky in CNN Style on 'Water' and the future of 3D.
Edward Burtynsky’s Mesmerizing Images of Copper Mines. Trying to comprehend the scale of open-pit extraction with aerial photographs.
Burtynsky's dramatic, large–scale photographs will be on display at the Grand Rapids Art Museum from February 1 through April 26, 2015.
Watermark is a feature documentary from multiple-award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky.
A roundup of recent press on the Edward Burtynsky Water exhibition at Howard Greenberg Gallery